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San
Francisco War Memorial Opera House
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San
Francisco Opera’s 83rd Opening Night
by Jeanne Lawrence
San Francisco’s fall season debuted on a high
note with opening nights of both the SF Opera and SF Symphony in
the same week! Summer travelers were drawn back to the city — like
moths to a flame — with the greatest of expectations, and they
weren’t disappointed.
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Guest
'Rolls' Up
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The San Francisco Opera opened its 83rd season with the Gioachino
Antonio Rossini’s comedy The Italian Girl in
Algiers. The
production was staged in the magnificent 1932 ‘Beaux-Arts’ War
Memorial Opera House, designed by Arthur Brown, Jr., (Coit Tower
and City Hall, too), and seats about 3,000 people.
Chaired by Katie Jarman and Victoria Kornblum, the
Opera Guild’s Midnight at the Oasis Opera Ball was
an evening of Algerian themed fantasy — lush, exotic opulence.
Entering the gilded gates, guests were welcomed with Arab music,
snake charmers, sultry harem dancers, palace guards, and even a
real camel (for photo ops). Down a passage bordered by palm trees,
the pre-performance reception awaited in some of the most luxurious
tents this side of a North African oasis.
The glamorous crowd grazed at stations of heaping caviar and icy
Grey Goose vodka (a sponsor), Moroccan cured salmon, New York beef
sirloin, Gulf prawns and mezzes — so no one had to sit through
the opera hungry, thank you very much!
Huddled at cocktails were former Mayor Willie Brown, Jr. and current
Mayor Gavin Newsom in a playful discussion – their
many inside jokes keeping it oh so jovial. |
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Donna and Chuck Huggins with Kazzy the Camel
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Oh
You Charmer
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Susan
Kulick in Robert Danes
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Meanwhile,
in the Opera House Loggia, the younger set was enjoying the Bravo! Club’s 14th annual
soiree. Their Night at Casbah was chaired by Virginia
Cartwright and Kirsten
Bartok, and catered by Patina.
Before the opera began, Chairman of the Board Franklin
P. Johnson, Jr. and SF Opera Association President Karl
O. Mills presented
General Director Pamela Rosenberg with the San Francisco Opera
Medal, its highest honor for artistic professionals.
An emotional Rosenberg announced this would be her final season
before taking her new position with the Berlin Philharmonic in
January. She raved about San Francisco’s art scene. “The
city can be proud of this jewel they have,” she said. “Art
fills you with joy.”
Afterwards, honored dignitaries were introduced including Polish
President Aleksander Kwasniewski and his first lady, Jolanta;
Congresswoman Nancy Pelosi, who is not only Minority Speaker of the House but
mother of five and a grandmother to boot; and Mayor Newsom.
Principal Conductor Donald Runnicles lead the orchestra while mezzo-soprano
Olga Borodina as Isabella and bass Ildar
Abdrazakov as Mustafa
performed under the direction of Chris Alexander. The sets were
designed by Robert Innes Hopkins with costumes by David
C. Woolard and lighting by Duane Schuler. |
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The
curtain rises
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Seen
in the crowd: General director-designate David Gockley; Honorary
Chairman and Opening Night performance sponsor Dede Wilsey with
former husband John Traina; Grand Benefactor
Sponsor John Gunn and Cynthia Fry Gunn; John Hutchinson, Affiliate
Sponsor Production Team; Opera Guild Chairman Cheryl
Baxter and Ralph Baxter; Lois Lehrman publisher of the Nob
Hill Gazette, a must-read for local social news; Kimberly
Bakker of the SF Colonial restaurant; fashonista Joy
Venturini Bianchi; New Yorker and interior designer Robert
Marinelli; Connie and Bob Lurie; Dr. Barry Barron and Connie
Goodrich Barron and of course opera supporter Jeannik
Littlefield with daughter-in-law Sandy Littlefield in
an Asian inspired YSL gown with a 3-foot train that she found
in France.
While the women dressed to the hilt, only a few men braved it in
white tie. During intermission, one gentleman lamented nostalgically, “Before,
at openings, everyone wore white tie…now there are only a few.” First
nights have always exuded old world glamour – all those boxes, seemingly
inherited from one generation to the next. |
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Fountains
of Flowers in Foyer of the Opera House
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Intermezzo
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More
of the crowd: Production sponsor Barbro
and Bernard Osher (Butterfield & Butterfield
auction house owner who sold to Ebay); music supporters Timothy
and Athena Troxel Blackburn; donors Eleni
and Markos Koupoulos; donors Sofia and Angelo
Tsakopoulos; Susie and Pat McBaine, of the Opera
Board; Dagmar and Ray Dolby (Dolby Sound);
the irrepressible Bella Farrow; Patsy Pope; Board
member Diane Knowles; James Ho; vintners John
and Sue Gallo; Chandra and Robert Friese; John Wright and
Marsha Monro Wright; realtor Joel Goodrich; Supervisor Aaron
Peskin; Debra and Richard Carpeneti; Vera Carpeneti; Julie
and Robert Flood; Sees candy CEO Charles
Huggins and wife Donna Ewald Huggins; Mary
and Bill Poland, New Yorker Wes Carroll, who
announced he will open the Graff Jewels store in Beverly
Hills, soon.
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Waiters
at the post-performance dinner
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After the performance, guests headed to the Oasis Pavilion, created by event
designer Robert Fountain. It consisted of four separate Moroccan-inspired
tents, each with its unique décor in vibrant colors of sapphire, ruby,
emerald and gold (fabricated in India where they know color) and incredible
chandeliers.
A lavish post-performance dinner, catered by Dan McCall included
Chilled Minted Apple Cucumber Soup and Grape Leaf Dolma, Summer Melon and
Jicama Salad tossed with olives, feta, mint and citrus vinaigrette, Grilled Moroccan
Spiced Sonoma Lamb Chops, and Coupe “Rossini” composed
of strawberry sorbet, fresh berries, and mascarpone cream with strawberry coulis;
and served with Beaulieu wine and Champagne Laurent-Perrier.
Revelers danced to the rhythms of the Earl Heckscher Orchestra,
while drivers waited on the limo-lined streets nearby, as the merriment continued
into the wee hours. |
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L.
to r.: Katie Jarman, PJ Handeland, Teresa Medearis, Cheryl
Baxter, and Victoria Kornblum; Bob Federighi and Toni
Wolfson; Marsha and John Goldman.
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L.
to r.: Oasis Pavilion for cocktails; Cheryl
Baxter in Vera Wang and Robert Fountain.
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David
Gockley with Eleni Tsakopoulos-Kounalakis and Markos
Kounalakis
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Victoria
Kornblum, Robert Fountain, and Katie Jarman
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Opera
President Karl Mills, Pamela Rosenberg, and Chairman
of the Board Franklin
P. Johnson, Jr.
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Pamela
Rosenberg passing the torch to David
Gockley
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L.
to r.: President and Jolanta Kwasniewski
with Mayor Gavin
Newsom; Paul Pelosi and Congresswoman
Nancy Pelosi; Jeannik Littlefield and
Sandy Littlefield.
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L.
to r.: Diane Taube, President
and Jolanta Kwasniewski, Tad Taube,
Dede Wilsey, and John
Train;
Robert Mailer Anderson and Nicola Miner.
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Susan
Kulick and Russ Fiscella
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Teresa
Medearis
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Katie
Jarman, Patricia Sprincin, and Cheryl Baxter
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More
backless
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L.
to r.: Jewel tones; Dromedary Anyone?
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Former
Mayor Willie Brown, Son-ya Molodetskaya, and Mayor
Gavin
Newsom
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Bob
and Connie Lurie
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L.
to r.:
Giada DeLaurentiis and Will Hamilton;
Layne Grey and Walter Sullivan; Dede Wilsey, Honorary
Gala Chairwoman.
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Claude
Jarman and Guy Kornblum
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Katie
and Claude Jarman
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Chris
Rubin and Kimberly Bakker
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| On
the next day, the 32nd annual Opera in the Park was performed
in Golden Gate Park. More than 20,000 opera lovers brought blankets
and enjoyed selections from the fall opera season. |
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Baritone
Gerald Finley and Soprano Jane Archibald
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Opera
Lovers 'sit in' Golden Gate Park
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Sunday tradition takes place every year after the season opener
and is free, thanks to the San Francisco Chronicle and the William
and Gretchen Kimball Fund who underwrote the alfresco performance. Opera is for everyone! |
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SFO
Muscial Director Donald Runnicles
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Soprano
Nikki Einfield
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| Clockwise from top left: SF
Chronicle Exec VP and Editor Phil Bronstein; Pamela Rosenberg;
Toast
to all; Bravo; Countertenor David Daniels; Mezzo-soprano
Vivica
Genaux. |
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Social Safari
by R. Couri Hay
Trip to Moscow, Russki October, 2005
Gordon
Getty’s private 737 is an aircraft of rare beauty
that few possess and many envy. It easily accommodated the 24
passengers bound for the former Soviet Union and the Russian
National Orchestra’s nine-day patron trip.
The forward cabin is done in shades of cream and beige with leather
couches and club chairs. There's a plush bedroom in the mid section
that’s just like home if home were a wildly expensive jumbo
jet done up by Anne (Mrs. Gordon) Getty, an interior decorator
with impeccable taste. The aft cabin is a wood paneled library
with antique maps on the walls and chocolate leather banquets.
It’s the only way really.
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Helen
Yarmak
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The price
for this unique experience was a mere $25,000 per person, including
essential extras like a sable-lined raincoats by Helen
Yarmak for the ladies and cashmere lined trenchcoats by Loro
Piana for the men. These are bare essentials for Russia in
the fall as it’s chilly, with rains days and nights.
The perfect way to make your trip to Russia as smooth as their
most expensive vodka, is to begin with knowing someone in the
government to facilitate your entrance and exit. I was met
by a trio of officials on the tarmac who swept me into a van
and
through a VIP immigration desk with no lines and no hassles
and luggage appearing miraculously. I was then tucked into
a black
Mercedes with tinted windows for the forty-five minute trip
to Moscow. My car had a crucial accessory for life in Russia,
a
little blue light on the roof that means you can do almost
anything you want short of running people over. You can speed,
go down
one-way streets, park on the sidewalk — a must in Moscow
— and break all the other rules that one needs to survive
the
hassles
of bumper-to-bumper. President Putin is the only person in
town who gets to travel by helicopter, so no matter how important
you may be, there’s absolutely nothing you can do about
the roadway congestion. Even the little blue light only takes
you so far.
Soon I was arriving at the legendary National Hotel, Moscow’s
best and most convenient address, and has been the home away
from home for the world’s elite since 1903, including
Vladimir Lenin, Meryl Streep, Laura Bush, Sophia Loren,
Jacques Chirac,
Daryl Hannah, Jack Nicholson, Gina Lollabrigida, Julio Iglesias,
Steven Segal, and Quentin Tarantino.
Whisked to the top floor, all the nicest suites face the Kremlin,
but being in front isn’t quite enough, you need to have
a room that faces Mokhovaya Street, allowing you to look directly
at St. Basil’s, the city’s most important landmark.
The multicolored doomed turrets let you know you’re in
Moscow, not London, Paris or Rome. |
National Hotel
The
National Hotel sits in the heart of the capital and is run by Le
Royal Meridian. Alexander Ivanov built the imposing pile in 1903
and installed elevators, telephones and water closets – all
great luxuries at the time.
Just before the October Revolution in 1917, Russia was in its “Golden
Age” and the National was frequented by royalty, politicians
and high society, where guests at the hotel’s restaurant
Moskovsky consumed Czar’s Meat Jelly Borsch and Russian pie
known as Kulebyaka. In its location today is the VIP Club, where
everyone who matters stops by.
In the 1930s, the grandeur of The National went into a long dark
period like the rest of the country, and the structural elements
fell into decay, although the suites were still decorated with
royal artifacts and important furniture. During World War II, the
hotel served as the headquarters for 16 foreign embassies and was
the site of talks between Joseph Stalin and Winston Churchill.
Its restoration was completed in 1995, which included the refurbishment
of its 172 guest rooms, and 49 suites with their unusually thick
walls that ensure privacy. There is also a state-of-the-art health
club with an indoor heated pool. |
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The
luxuriously appointed National Hotel |
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My pal Janna Bullock the real estate mogul, who
divides her time between New York, Southampton and Moscow and whose
husband Alexis lives and works in Moscow is, along with Mr. Getty,
a prominent RNO patron. The orchestra's guests were all treated
like visiting royalty. In fact, HRH Prince Michael of Kent, the
organization’s Royal Patron and his witty and irrepressible
wife, Princess Michael were front and center for all the grandest
occasions.
I tripped over two large tins of beluga walking into the beautiful
suite that the endlessly amusing designer Helen Yarmak chose for
me. The scent of fresh Casablanca lilies filled the room and the
steward had run a warm bath to calm my nerves. Flying, even privately,
is still a big bore. When will Bill Gates figure out how to e-mail
us from one place to another?
Whatever, I soaked and scooped the caviar directly from the tin
into my mouth with a pearl spoon with a diamond studded handle.
Along with your furs, jewels and rainboots, remember to bring along
your pearl or horn spoons to Moscow to taste the best caviar in
the world, for even sterling tinges the taste for those with sensitive
pallets. But of course you knew that, didn’t you? I was careful
to drink lots of water so that my tongue wouldn’t swell up
and I could eat the little gray pearls day and night, as I was
on the caviar diet which, by the way, works.
The next morning, coaches whisked the patrons off to the Armory
Museum, the Diamond Vaults and other points of interest. I followed
in my own car, the one with the little blue light that Janna had
loaned me with her driver, a handsome young blonde named Sasha and one of her aides, a petite blonde, named Oksana, who made all
problems disappear as quickly as they arrived.
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Red
Square
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When you first
glimpse Red Square, you gasp with recognition. It’s
like seeing the Great Wall of China, you’ve seen it in books
and on TV and then suddenly you are walking on history.
Back at The National, I changed into basic black as Helen was taking
me, along with the swanky art dealer Yung Hee Kim and
Loro Piana’s
PR director Ludovica Cofrancesco to the Vogue
Café, the
city’s hippest outpost, which was like going to Balthazar
in New York when it first opened.
The décor and flowers were so edgy that I could have been
in Madrid, Buenos Aires or the Meatpacking District. As we arrived,
a gaggle of young models were also arriving, in pencil slim jeans
with sarongs tied artfully around their waists, the sheer fabric
dripping down their endless legs — a fashion trend I’d
never seen in the fall before. Helen wore a champagne colored chiffon
top and a skirt edged in sable of her own design. Yung Hee wore
a leather pants with pearl chains, a black lace Chanel top and
a sable chubby to ward off the cool air of the Moscow nights.
The place was hopping; we had the table by the entrance in the
front dining room, so no one could get in or out without us seeing
them and them seeing us. We ordered divine little blinis topped
with a generous mound of caviar, fresh fish and washed it all down
with vintage Cristal. Clearly, the rich in Russia live well, N’est-ce
pas?
It was time to take a tour of Moscow’s night life. First
stop, the Billionaire Club, You have to go through metal detectors
to get in. (In truth I never felt I was in danger during my visit
to the former Soviet Union. Then again, I had my own driver and
armed guard at all times.)
Towering arrangements of flowers banked the entrance to the club.
The club featured black leather banquets, burgundy leather walls
and a black-mirrored dance floor, reeking of new money. The dance
floor had a pack of 6-foot blonde Amazons dancing together and
I couldn’t help but jump in the middle. They were dressed
to seduce a billionaire. They smiled and I calculated that I could
have taken them all home for an hour at about two thousand a piece. |
R.
Couri Hay and Yung Hee Kim outside the Kremlin |
Next
stop: The First, a mammoth multi-tiered
disco created under a circus tent. We checked out the action
and peaked
at the scantily clad go-go girls; the crowd was what you’d
expect to see at CroBar on a Saturday night in New York. It was
way too big to be exclusive. Back in my suite, I headed for the
fridge and a caviar snack as I looked out my windows; there was
St. Basil’s. I like this view because the church is Moscow.
Saturday was our most important day. We were off for a private
visit of the Kremlin, which is literally across the street from
the hotel, and a concert by the Russian National Orchestra in St.
George’s Hall, something never allowed before. HRH Prince
Michael of Kent, is the RNO’s royal Patron. He and his wife
Princess Michael, clad in a sable trimmed raincoat and pearls the
size of onions, were the guests of honor.
We had a police escort to the gates and upon arrival were escorted
by uniformed officers to a private viewing stand past the curious
crowds. This particular afternoon was the first of the RNO’s
15th Anniversary celebrations. Trumpets heralded the arrival of
the Kents, as we ascended the viewing stand to watch the Changing
of the Guard, a recreation of the Imperial Review that took place
daily until the 1917 Revolution. The cavalry did their equestrian
dance as the soldiers marched about. It reminded me of a ballet
by Balanchine.
We then left the pomp and circumstance behind to enter the Kremlin’s
inner sanctum, the magnificent St. George’s Palace. Mr. Getty,
Mrs. Bullock, her 17-year-old daughter Zoë on
a break from her Swiss boarding school, and Janna’s husband
Alexis joined us. Alexis was the only member of the party who had
been in these
rooms before. They are only used for occasions of State to receive
visiting kings, queens, presidents and other assorted owner brokers.
The palace had been destroyed, and has just been rebuilt in all
its gilded glory. The first reception hall is gold and white — that’s
18-karat gold. The complex parquet on the floors is more commonly
seen on tables — that’s if your tables are 18th
Century and acquired at the Ingrao gallery. The throne room is
more impressive than Buckingham Palace’s. Its cathedral ceilings
scream power, the three thrones of the Tsars have an ermine canopy
the size of a tent you’d see erected for parties in Southampton. |
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Janna Bullock, Zoe Bullock, and Alexey Kuznetsov
in St. George’s Palace
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Marianne
Wyman in St. George’s Palace |
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L.
to r.: St. George’s Palace in all its glory; R.
Couri Hay takes an extended look around.
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From
there we paraded on to the White Hall for the concert, a welcome relief from all the gold, which after a while
can give you a headache, and sat in the front row with the Kents.
The Tchaikovsky concert under the baton of Maestro Mikhail
Pletnev, who founded the orchestra, opened with a dramatic excerpt from
Sleeping Beauty. This was followed by the 1812 Overture, which
was written for the opening of St. George’s Palace to celebrate
the Russian victory over the French and was premiered in this very
hall.
The orchestra has no official connection to the government and
is completely supported by private money, making it unique in Russian
culture. President Putin, who is best described as all-powerful,
allowed the concert — a first in these historic chambers,
to take place. It was a wonderful and welcome sign of support from
the
president.
After a few words from Prince Michael, who is also a directly related
to the last czar, Nicholas II, we were given a tour of the private
treaty and conference rooms as well as all the official rooms of
the wings of the original palace that had been spared.
After that, there was a reception in yet another perfectly appointed
hall. Princess Michael and I talked about the princess’ children:
her son Frederick Windsor, who is off climbing
in the Andes, and her daughter Gabriella Windsor, who
is busy writing a book. Prince Michael presented the RNO’s
silver baton to Gordon Getty for his vast contributions (approximately
$25 million over 15 years)
to the RNO, which he has supported since its inception. The princess
and I had the melon balls and lemon custard, the only edible things
we were offered. The vodka was fine, the champagne, undrinkable.
The food at the Kremlin needs work — make that a lot of work. |
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Mikhail
Simonyan, Alexei Podkorytov, Valentina Simonyana, Edyth
Holbrook
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Sergio
and Luisa Loro Piana with Pier Luigi and Laura Loro Piana
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After
the reception, we went off to the Japanese
restaurant Seigi for a late lunch. I veered off my caviar diet
and had fried oysters and a Kobe steak.
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Sergio
and Pier Luigi Loro Piana |
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A dip in
the heated pool, a massage in The National’s spa
and a nap then revved me up for a night out. Off we raced to
the opening of the Loro Piana store in the Luxury Village, where
the
crème de la crème of Moscow society was on hand
to greet Sergio, Luisa, Pigi, and Laura
Loro Piana. The
store is extraordinary, large enough to accommodate all of
the luxury brand’s spectacular
collection of cashmere sweaters, beautifully tailored coats,
fur blankets and all manner of sumptuous goods. Across the
street, a Prada store is about to open; Armani, and Dolce and
Gabana
are
also represented, as is virtually every top-drawer brand on
the planet.
The Loro Pianas went to The National’s VIP club for dinner.
I’d already been, so I skipped it. The RNO patrons went to
the Café Puskin, which is a temple of Russian cuisine and
culture, and the Bullocks took me to Mario’s, the Italian
restaurant that has pasta comparable to the Hassler in Rome. It’s
a popular late night power spot. After dinner, I went back
to The National, I was pooped and Sunday was going to be another
long
day.
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Janna
Bullock and Gordon Getty |
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Violinist
Misha Simonyan
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The following morning I had breakfast with Marianne Wyman, in
The National’s main dining room, overlooking the Kremlin and
St. Basil’s. Better views in Moscow do not exist. The
buffet was wonderful with fresh squeezed juices, salmon,
poached eggs,
bacon, sausages fruits, cheeses, and native baked goods.
Yummy. Mrs. Wyman is chairing the RNO gala along with Sophia
Loren, Martha Stewart and Janna Bullock at Avery Fisher Hall on March
7th.
Sunday
night was Gordon Getty’s big night. The work he composed,
based on the Edgar Alan Poe’s “The Fall of the House
of Usher,” had its premiere in the Great Hall of Conservatory
and received a standing ovation. After the concert, the Bullocks
gave a dinner for 60 in Mr. Getty’s honor at Gorky, one of
the new restaurants that was as good as it was grand. Bowls of
caviar and bottles of Dom Perignon kicked things off. Russia’s
top gypsy band Loiko played along with a wonderful native folk
orchestra. Gordon sang a song to amuse the guests and a cake
was brought out to celebrate the 21st birthday of Misha
Simonyan,
the
internationally acclaimed violinist. The Bullocks were so impressed
that they are bringing him to New York for a private musical
in December.
On Monday, Gordon and the patrons flew off to St. Petersburg
for a series of receptions and dinners in the city’s
grandest palaces. Alas, I had to return to New York for the
opening of
the International Designer Showhouse at 9 East 67 Street, a
house Janna
Bullock had lent the to the American friends of the American
Hospital of Paris Foundation who was the beneficiary of the
Showhouse.
Das Vedanya!
Xoxo Couri. |
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