San Francisco Social Diary
San Francisco War Memorial Opera House
San Francisco Opera’s 83rd Opening Night
by Jeanne Lawrence

San Francisco’s fall season debuted on a high note
with opening nights of both the SF Opera and SF Symphony in the same week! Summer travelers were drawn back to the city — like moths to a flame — with the greatest of expectations, and they weren’t disappointed.

Guest 'Rolls' Up
The San Francisco Opera opened its 83rd season with the Gioachino Antonio Rossini’s comedy The Italian Girl in Algiers. The production was staged in the magnificent 1932 ‘Beaux-Arts’ War Memorial Opera House, designed by Arthur Brown, Jr., (Coit Tower and City Hall, too), and seats about 3,000 people.

Chaired by Katie Jarman and Victoria Kornblum, the Opera Guild’s Midnight at the Oasis Opera Ball was an evening of Algerian themed fantasy — lush, exotic opulence.

Entering the gilded gates, guests were welcomed with Arab music, snake charmers, sultry harem dancers, palace guards, and even a real camel (for photo ops). Down a passage bordered by palm trees, the pre-performance reception awaited in some of the most luxurious tents this side of a North African oasis.

The glamorous crowd grazed at stations of heaping caviar and icy Grey Goose vodka (a sponsor), Moroccan cured salmon, New York beef sirloin, Gulf prawns and mezzes — so no one had to sit through the opera hungry, thank you very much!

Huddled at cocktails were former Mayor Willie Brown, Jr. and current Mayor Gavin Newsom in a playful discussion – their many inside jokes keeping it oh so jovial.
Donna and Chuck Huggins with Kazzy the Camel
Oh You Charmer
Susan Kulick in Robert Danes
Meanwhile, in the Opera House Loggia, the younger set was enjoying the Bravo! Club’s 14th annual soiree. Their Night at Casbah was chaired by Virginia Cartwright and Kirsten Bartok, and catered by Patina.

Before the opera began, Chairman of the Board Franklin P. Johnson, Jr. and SF Opera Association President Karl O. Mills presented General Director Pamela Rosenberg with the San Francisco Opera Medal, its highest honor for artistic professionals.

An emotional Rosenberg announced this would be her final season before taking her new position with the Berlin Philharmonic in January. She raved about San Francisco’s art scene. “The city can be proud of this jewel they have,” she said. “Art fills you with joy.”

Afterwards, honored dignitaries were introduced including Polish President Aleksander Kwasniewski and his first lady, Jolanta; Congresswoman Nancy Pelosi, who is not only Minority Speaker of the House but mother of five and a grandmother to boot; and Mayor Newsom.

Principal Conductor Donald Runnicles lead the orchestra while mezzo-soprano Olga Borodina as Isabella and bass Ildar Abdrazakov as Mustafa performed under the direction of Chris Alexander. The sets were designed by Robert Innes Hopkins with costumes by David C. Woolard and lighting by Duane Schuler.
The curtain rises
Seen in the crowd: General director-designate David Gockley; Honorary Chairman and Opening Night performance sponsor Dede Wilsey with former husband John Traina; Grand Benefactor Sponsor John Gunn and Cynthia Fry Gunn; John Hutchinson, Affiliate Sponsor Production Team; Opera Guild Chairman Cheryl Baxter and Ralph Baxter; Lois Lehrman publisher of the Nob Hill Gazette, a must-read for local social news; Kimberly Bakker of the SF Colonial restaurant; fashonista Joy Venturini Bianchi; New Yorker and interior designer Robert Marinelli; Connie and Bob Lurie; Dr. Barry Barron and Connie Goodrich Barron and of course opera supporter Jeannik Littlefield with daughter-in-law Sandy Littlefield in an Asian inspired YSL gown with a 3-foot train that she found in France.

While the women dressed to the hilt,
only a few men braved it in white tie. During intermission, one gentleman lamented nostalgically, “Before, at openings, everyone wore white tie…now there are only a few.” First nights have always exuded old world glamour – all those boxes, seemingly inherited from one generation to the next.
Fountains of Flowers in Foyer of the Opera House
Intermezzo
More of the crowd: Production sponsor Barbro and Bernard Osher (Butterfield & Butterfield auction house owner who sold to Ebay); music supporters Timothy and Athena Troxel Blackburn; donors Eleni and Markos Koupoulos; donors Sofia and Angelo Tsakopoulos; Susie and Pat McBaine, of the Opera Board; Dagmar and Ray Dolby (Dolby Sound); the irrepressible Bella Farrow; Patsy Pope; Board member Diane Knowles; James Ho; vintners John and Sue Gallo; Chandra and Robert Friese; John Wright and Marsha Monro Wright; realtor Joel Goodrich; Supervisor Aaron Peskin; Debra and Richard Carpeneti; Vera Carpeneti; Julie and Robert Flood; Sees candy CEO Charles Huggins and wife Donna Ewald Huggins; Mary and Bill Poland, New Yorker Wes Carroll, who announced he will open the Graff Jewels store in Beverly Hills, soon.

Waiters at the post-performance dinner
After the performance, guests headed to the Oasis Pavilion, created by event designer Robert Fountain. It consisted of four separate Moroccan-inspired tents, each with its unique décor in vibrant colors of sapphire, ruby, emerald and gold (fabricated in India where they know color) and incredible chandeliers.

A lavish post-performance dinner, catered by Dan McCall included Chilled Minted Apple Cucumber Soup and Grape Leaf Dolma, Summer Melon and Jicama Salad tossed with olives, feta, mint and citrus vinaigrette, Grilled Moroccan Spiced Sonoma Lamb Chops, and Coupe “Rossini” composed of strawberry sorbet, fresh berries, and mascarpone cream with strawberry coulis; and served with Beaulieu wine and Champagne Laurent-Perrier.

Revelers danced to the rhythms of the Earl Heckscher Orchestra, while drivers waited on the limo-lined streets nearby, as the merriment continued into the wee hours.
L. to r.: Katie Jarman, PJ Handeland, Teresa Medearis, Cheryl Baxter, and Victoria Kornblum; Bob Federighi and Toni Wolfson; Marsha and John Goldman.
L. to r.: Oasis Pavilion for cocktails; Cheryl Baxter in Vera Wang and Robert Fountain.
David Gockley with Eleni Tsakopoulos-Kounalakis and Markos Kounalakis
Victoria Kornblum, Robert Fountain, and Katie Jarman
Opera President Karl Mills, Pamela Rosenberg, and Chairman of the Board Franklin P. Johnson, Jr.
Pamela Rosenberg passing the torch to David Gockley
L. to r.: President and Jolanta Kwasniewski with Mayor Gavin Newsom; Paul Pelosi and Congresswoman Nancy Pelosi; Jeannik Littlefield and Sandy Littlefield.
L. to r.: Diane Taube, President and Jolanta Kwasniewski, Tad Taube, Dede Wilsey, and John Train; Robert Mailer Anderson and Nicola Miner.
Susan Kulick and Russ Fiscella
Teresa Medearis
Katie Jarman, Patricia Sprincin, and Cheryl Baxter
More backless
L. to r.: Jewel tones; Dromedary Anyone?
Former Mayor Willie Brown, Son-ya Molodetskaya, and Mayor Gavin Newsom
Bob and Connie Lurie
L. to r.: Giada DeLaurentiis and Will Hamilton; Layne Grey and Walter Sullivan; Dede Wilsey, Honorary Gala Chairwoman.
Claude Jarman and Guy Kornblum
Katie and Claude Jarman
Chris Rubin and Kimberly Bakker
On the next day, the 32nd annual Opera in the Park was performed in Golden Gate Park. More than 20,000 opera lovers brought blankets and enjoyed selections from the fall opera season.
Baritone Gerald Finley and Soprano Jane Archibald
Opera Lovers 'sit in' Golden Gate Park
The Sunday tradition takes place every year after the season opener and is free, thanks to the San Francisco Chronicle and the William and Gretchen Kimball Fund who underwrote the alfresco performance. Opera is for everyone!
SFO Muscial Director Donald Runnicles
Soprano Nikki Einfield
Clockwise from top left: SF Chronicle Exec VP and Editor Phil Bronstein; Pamela Rosenberg; Toast to all; Bravo; Countertenor David Daniels; Mezzo-soprano Vivica Genaux.
Enter your email address below to subscribe to NYSD's newsletter. It's free!
Email address:

Social Safari
by R. Couri Hay
Trip to Moscow, Russki October, 2005

Gordon Getty’s private 737 is an aircraft of rare beauty that few possess and many envy. It easily accommodated the 24 passengers bound for the former Soviet Union and the Russian National Orchestra’s nine-day patron trip.

The forward cabin is done in shades of cream and beige with leather couches and club chairs. There's a plush bedroom in the mid section that’s just like home if home were a wildly expensive jumbo jet done up by Anne (Mrs. Gordon) Getty, an interior decorator with impeccable taste. The aft cabin is a wood paneled library with antique maps on the walls and chocolate leather banquets. It’s the only way really.

Helen Yarmak

The price for this unique experience was a mere $25,000 per person, including essential extras like a sable-lined raincoats by Helen Yarmak for the ladies and cashmere lined trenchcoats by Loro Piana for the men. These are bare essentials for Russia in the fall as it’s chilly, with rains days and nights.

The perfect way to make your trip to Russia as smooth as their most expensive vodka, is to begin with knowing someone in the government to facilitate your entrance and exit. I was met by a trio of officials on the tarmac who swept me into a van and through a VIP immigration desk with no lines and no hassles and luggage appearing miraculously. I was then tucked into a black Mercedes with tinted windows for the forty-five minute trip to Moscow. My car had a crucial accessory for life in Russia, a little blue light on the roof that means you can do almost anything you want short of running people over. You can speed, go down one-way streets, park on the sidewalk — a must in Moscow — and break all the other rules that one needs to survive the hassles of bumper-to-bumper. President Putin is the only person in town who gets to travel by helicopter, so no matter how important you may be, there’s absolutely nothing you can do about the roadway congestion. Even the little blue light only takes you so far.

Soon I was arriving at the legendary National Hotel, Moscow’s best and most convenient address, and has been the home away from home for the world’s elite since 1903, including Vladimir Lenin, Meryl Streep, Laura Bush, Sophia Loren, Jacques Chirac, Daryl Hannah, Jack Nicholson, Gina Lollabrigida, Julio Iglesias, Steven Segal, and Quentin Tarantino.

Whisked to the top floor, all the nicest suites face the Kremlin, but being in front isn’t quite enough, you need to have a room that faces Mokhovaya Street, allowing you to look directly at St. Basil’s, the city’s most important landmark. The multicolored doomed turrets let you know you’re in Moscow, not London, Paris or Rome.

National Hotel

The National Hotel sits in the heart of the capital and is run by Le Royal Meridian. Alexander Ivanov built the imposing pile in 1903 and installed elevators, telephones and water closets – all great luxuries at the time.

Just before the October Revolution in 1917, Russia was in its “Golden Age” and the National was frequented by royalty, politicians and high society, where guests at the hotel’s restaurant Moskovsky consumed Czar’s Meat Jelly Borsch and Russian pie known as Kulebyaka. In its location today is the VIP Club, where everyone who matters stops by.

In the 1930s, the grandeur of The National went into a long dark period like the rest of the country, and the structural elements fell into decay, although the suites were still decorated with royal artifacts and important furniture. During World War II, the hotel served as the headquarters for 16 foreign embassies and was the site of talks between Joseph Stalin and Winston Churchill.

Its restoration was completed in 1995, which included the refurbishment of its 172 guest rooms, and 49 suites with their unusually thick walls that ensure privacy. There is also a state-of-the-art health club with an indoor heated pool.
The luxuriously appointed National Hotel
My pal Janna Bullock the real estate mogul, who divides her time between New York, Southampton and Moscow and whose husband Alexis lives and works in Moscow is, along with Mr. Getty, a prominent RNO patron. The orchestra's guests were all treated like visiting royalty. In fact, HRH Prince Michael of Kent, the organization’s Royal Patron and his witty and irrepressible wife, Princess Michael were front and center for all the grandest occasions.

I tripped over two large tins of beluga walking into the beautiful suite that the endlessly amusing designer Helen Yarmak chose for me. The scent of fresh Casablanca lilies filled the room and the steward had run a warm bath to calm my nerves. Flying, even privately, is still a big bore. When will Bill Gates figure out how to e-mail us from one place to another?

Whatever, I soaked and scooped the caviar directly from the tin into my mouth with a pearl spoon with a diamond studded handle. Along with your furs, jewels and rainboots, remember to bring along your pearl or horn spoons to Moscow to taste the best caviar in the world, for even sterling tinges the taste for those with sensitive pallets. But of course you knew that, didn’t you? I was careful to drink lots of water so that my tongue wouldn’t swell up and I could eat the little gray pearls day and night, as I was on the caviar diet which, by the way, works.

The next morning, coaches whisked the patrons off to the Armory Museum, the Diamond Vaults and other points of interest. I followed in my own car, the one with the little blue light that Janna had loaned me with her driver, a handsome young blonde named Sasha and one of her aides, a petite blonde, named Oksana, who made all problems disappear as quickly as they arrived.

Red Square
When you first glimpse Red Square, you gasp with recognition. It’s like seeing the Great Wall of China, you’ve seen it in books and on TV and then suddenly you are walking on history.

Back at The National, I changed into basic black as Helen was taking me, along with the swanky art dealer Yung Hee Kim and Loro Piana’s PR director Ludovica Cofrancesco to the Vogue Café, the city’s hippest outpost, which was like going to Balthazar in New York when it first opened.

The décor and flowers were so edgy that I could have been in Madrid, Buenos Aires or the Meatpacking District. As we arrived, a gaggle of young models were also arriving, in pencil slim jeans with sarongs tied artfully around their waists, the sheer fabric dripping down their endless legs — a fashion trend I’d never seen in the fall before. Helen wore a champagne colored chiffon top and a skirt edged in sable of her own design. Yung Hee wore a leather pants with pearl chains, a black lace Chanel top and a sable chubby to ward off the cool air of the Moscow nights.

The place was hopping; we had the table by the entrance in the front dining room, so no one could get in or out without us seeing them and them seeing us. We ordered divine little blinis topped with a generous mound of caviar, fresh fish and washed it all down with vintage Cristal. Clearly, the rich in Russia live well, N’est-ce pas?

It was time to take a tour of Moscow’s night life.
First stop, the Billionaire Club, You have to go through metal detectors to get in. (In truth I never felt I was in danger during my visit to the former Soviet Union. Then again, I had my own driver and armed guard at all times.)

Towering arrangements of flowers banked the entrance to the club. The club featured black leather banquets, burgundy leather walls and a black-mirrored dance floor, reeking of new money. The dance floor had a pack of 6-foot blonde Amazons dancing together and I couldn’t help but jump in the middle. They were dressed to seduce a billionaire. They smiled and I calculated that I could have taken them all home for an hour at about two thousand a piece.
R. Couri Hay and Yung Hee Kim outside the Kremlin
Next stop: The First, a mammoth multi-tiered disco created under a circus tent. We checked out the action and peaked at the scantily clad go-go girls; the crowd was what you’d expect to see at CroBar on a Saturday night in New York. It was way too big to be exclusive. Back in my suite, I headed for the fridge and a caviar snack as I looked out my windows; there was St. Basil’s. I like this view because the church is Moscow.

Saturday was our most important day. We were off for a private visit of the Kremlin, which is literally across the street from the hotel, and a concert by the Russian National Orchestra in St. George’s Hall, something never allowed before. HRH Prince Michael of Kent, is the RNO’s royal Patron. He and his wife Princess Michael, clad in a sable trimmed raincoat and pearls the size of onions, were the guests of honor.

We had a police escort to the gates and upon arrival were escorted by uniformed officers to a private viewing stand past the curious crowds. This particular afternoon was the first of the RNO’s 15th Anniversary celebrations. Trumpets heralded the arrival of the Kents, as we ascended the viewing stand to watch the Changing of the Guard, a recreation of the Imperial Review that took place daily until the 1917 Revolution. The cavalry did their equestrian dance as the soldiers marched about. It reminded me of a ballet by Balanchine.

We then left the pomp and circumstance behind to enter the Kremlin’s inner sanctum, the magnificent St. George’s Palace. Mr. Getty, Mrs. Bullock, her 17-year-old daughter Zoë on a break from her Swiss boarding school, and Janna’s husband Alexis joined us. Alexis was the only member of the party who had been in these rooms before. They are only used for occasions of State to receive visiting kings, queens, presidents and other assorted owner brokers.

The palace had been destroyed, and has just been rebuilt in all its gilded glory. The first reception hall is gold and white — that’s 18-karat gold. The complex parquet on the floors is more commonly seen on tables — that’s if your tables are 18th Century and acquired at the Ingrao gallery. The throne room is more impressive than Buckingham Palace’s. Its cathedral ceilings scream power, the three thrones of the Tsars have an ermine canopy the size of a tent you’d see erected for parties in Southampton.
Janna Bullock, Zoe Bullock, and Alexey Kuznetsov in St. George’s Palace
Marianne Wyman in St. George’s Palace
L. to r.: St. George’s Palace in all its glory; R. Couri Hay takes an extended look around.
From there we paraded on to the White Hall for the concert, a welcome relief from all the gold, which after a while can give you a headache, and sat in the front row with the Kents.

The Tchaikovsky concert under the baton of Maestro Mikhail Pletnev, who founded the orchestra, opened with a dramatic excerpt from Sleeping Beauty. This was followed by the 1812 Overture, which was written for the opening of St. George’s Palace to celebrate the Russian victory over the French and was premiered in this very hall.

The orchestra has no official connection to the government and is completely supported by private money, making it unique in Russian culture. President Putin, who is best described as all-powerful, allowed the concert — a first in these historic chambers, to take place. It was a wonderful and welcome sign of support from the president.

After a few words from Prince Michael, who is also a directly related to the last czar, Nicholas II, we were given a tour of the private treaty and conference rooms as well as all the official rooms of the wings of the original palace that had been spared.

After that, there was a reception in yet another perfectly appointed hall. Princess Michael and I talked about the princess’ children: her son Frederick Windsor, who is off climbing in the Andes, and her daughter Gabriella Windsor, who is busy writing a book. Prince Michael presented the RNO’s silver baton to Gordon Getty for his vast contributions (approximately $25 million over 15 years) to the RNO, which he has supported since its inception. The princess and I had the melon balls and lemon custard, the only edible things we were offered. The vodka was fine, the champagne, undrinkable. The food at the Kremlin needs work — make that a lot of work.
Mikhail Simonyan, Alexei Podkorytov, Valentina Simonyana, Edyth Holbrook
Sergio and Luisa Loro Piana with Pier Luigi and Laura Loro Piana

After the reception, we went off to the Japanese restaurant Seigi for a late lunch. I veered off my caviar diet and had fried oysters and a Kobe steak.

Sergio and Pier Luigi Loro Piana

A dip in the heated pool, a massage in The National’s spa and a nap then revved me up for a night out. Off we raced to the opening of the Loro Piana store in the Luxury Village, where the crème de la crème of Moscow society was on hand to greet Sergio, Luisa, Pigi, and Laura Loro Piana. The store is extraordinary, large enough to accommodate all of the luxury brand’s spectacular collection of cashmere sweaters, beautifully tailored coats, fur blankets and all manner of sumptuous goods. Across the street, a Prada store is about to open; Armani, and Dolce and Gabana are also represented, as is virtually every top-drawer brand on the planet.

The Loro Pianas went to The National’s VIP club for dinner. I’d already been, so I skipped it. The RNO patrons went to the Café Puskin, which is a temple of Russian cuisine and culture, and the Bullocks took me to Mario’s, the Italian restaurant that has pasta comparable to the Hassler in Rome. It’s a popular late night power spot. After dinner, I went back to The National, I was pooped and Sunday was going to be another long day.

Janna Bullock and Gordon Getty
Violinist Misha Simonyan

The following morning I had breakfast with Marianne Wyman, in The National’s main dining room, overlooking the Kremlin and St. Basil’s. Better views in Moscow do not exist. The buffet was wonderful with fresh squeezed juices, salmon, poached eggs, bacon, sausages fruits, cheeses, and native baked goods. Yummy. Mrs. Wyman is chairing the RNO gala along with Sophia Loren, Martha Stewart and Janna Bullock at Avery Fisher Hall on March 7th.

Sunday night was Gordon Getty’s big night. The work he composed, based on the Edgar Alan Poe’s “The Fall of the House of Usher,” had its premiere in the Great Hall of Conservatory and received a standing ovation. After the concert, the Bullocks gave a dinner for 60 in Mr. Getty’s honor at Gorky, one of the new restaurants that was as good as it was grand. Bowls of caviar and bottles of Dom Perignon kicked things off. Russia’s top gypsy band Loiko played along with a wonderful native folk orchestra. Gordon sang a song to amuse the guests and a cake was brought out to celebrate the 21st birthday of Misha Simonyan, the internationally acclaimed violinist. The Bullocks were so impressed that they are bringing him to New York for a private musical in December.

On Monday, Gordon and the patrons flew off to St. Petersburg for a series of receptions and dinners in the city’s grandest palaces. Alas, I had to return to New York for the opening of the International Designer Showhouse at 9 East 67 Street, a house Janna Bullock had lent the to the American friends of the American Hospital of Paris Foundation who was the beneficiary of the Showhouse.

Das Vedanya! Xoxo Couri.




December 1, 2005, Volume V, Number 200

Email
A
Friend


Click here for Today's Party Pictures
Click here
for NYSD Contents




 

© 2006 David Patrick Columbia & Jeffrey Hirsch/NewYorkSocialDiary.com