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Hot
August days in New York. We went to lunch at
Michael’s – I, JH, Ann Rapp with Tim
Street-Porter and his wife and partner Annie
Kelly, mainly to discuss Tim’s new book – an
enormous coffee table volume of his photographs of Los Angeles
(simply titled Los Angeles with introduction by Diane
Keaton) which will be published by Rizzoli in October – a
very specially published limited edition of 5000 copies each
of which will include a separate, signed photograph from
the book.
Michael’s was an appropriate choice for the couple who live in Hollywood
and have a house in Litchfield County which they visit every few weeks, and have
been dining at Michael’s other restaurant in Santa Monica since it opened
in 1979. In fact, Michael himself was there yesterday, fresh from his and his
family’s annual summer European excursion to London, Paris, Capri, Paris,
London where Michael’s wife Kim McCarty had an exhibition
of her paintings and signed on with a gallery in Paris. So there was a bit of
a bi-coastal reunion going on.
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Ann
Rapp, DPC, Annie Kelly, and Tim
Street-Porter
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Back to the photographer, however: Tim grew up in England where
he had an aunt who subscribed to the Saturday Evening Post. There might
be two generations now who’ve never heard of the Saturday Evening Post,
but suffice to say it was one of the biggest, most widely read, one of the most
popular weekly magazines in America for decades. Many great American journalists
and novelists published short stories frequently in the Saturday Evening
Post. Norman Rockwell’s career was established by
the SEP, as were many other famous illustrators. For the young Tim Street-Porter,
the magazine was a cultural document of a way of life and a lifestyle that was
truly foreign to a boy growing up in post-War England. For one thing, the Americans,
to the British boy’s eyes, had more of everything and bigger of everything – cars,
refrigerators, tellys, cars, trains, houses and most all, space. So when he finally
had a chance to come here as a young man, he jumped at it.
Interestingly, although he loved New York, and
quite obviously still does, he was eager to travel west to see
those Wide Open Spaces of America and the golden coastline of California.
And so he did. None of it disappointed him. His first night in
Los Angeles, he went to a Beatles concert under the stars at the
Hollywood Bowl. If you’ve ever been to a concert at the Hollywood
Bowl, you know that it’s pure southern California, pure L.A.
magic. It’s all you need to do to understand why people love
L.A.
Eventually he went back to London, but in the mid- to late-1970s, now a professional
photographer and traveling with his wife Annie Kelly, an Australian lady, he
visited to Los Angeles again and decided to settle there.
Today the Street-Porters live in a house in a section of
Hollywood called Whitley Heights which was developed in the early
1920s by a man with the name Whitley who first
traveled to the South of France to study the villages there before
building his version of them in the Hollywood Hills. In the early
days of the movie industry, quite a few of the stars lived there
including Valentino, Jean Harlow, Charlie Chaplin, Francis
X. Bushman, Bette Davis, Harold Lloyd, Wallace Beery, Carmen Miranda,
Tyrone Power, Norma Shearer, Gloria Swanson, W.C. Fields and Rosalind
Russell, at different times of their careers. The now
legendary photographer Baron de Meyer, whose title
came through his wife, said to be an illegitimate child of King
Edward VII of England, also lived there, as did William
Faulkner.
Annie and Tim’s fascination and affection for their historic neighborhood
as well as the whole city of Los Angeles inspired what has become a great photographic
career (actually two – Annie Kelly is in the decorating business and also
writes books) focusing on architectural and interior design and residential landscapes
especially in Mediterranean and/or tropical climes. (Google: Books by Tim Street-Porter).
The new book, about to be published, is a tribute to that now decades long attraction
to the City of the Angels. |
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Among
some of the beautiful photographs
to be published in Tim Street-Porter's
Los Angeles, the Ramon Novarro house in Hollywood
Hills (restored by Diane Keaton).
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After
lunch, Annie Kelly pulled out some of the photographs that
are going into the book, which Tim shot in his spare time,
especially during the winter months when the light is the
best. All of us Los Angeleno dweller/aficionados (Ann Rapp
was born and brought up there) feasted our eyes, rapt with
nostalgia for the desert night skies, the night blooming
jasmine, the fiery sunsets over the Pacific, the ice cream
cone Art Deco architecture and of course, even the billboards
commanding the Sunset Strip all brilliant enhanced, of course,
by The Light. I once asked a friend of mine who’d moved
back to New York after living for several years in Los Angeles
what she missed most about it. Her answer, the answer: The
Light. Looking at the images that will be published in the
Tim Street-Porter/Diane Keaton book attest to that.
Meanwhile, back in the Hamptons. Last
weekend was on of those Hamptons Only party nights, the highlight
of which was the Robert Wilson's Watermill
Center/Byrd Hoffman Foundation’s annual fund-raising
gala, this year themed “Brazil.”
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Mirror
Man and Robert Wilson
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This is probably
the biggest, glitziest, most glamorous, art-iest of the season’s
parties. Its secret, its strength lies in the immense international
charisma of its founder/leader Robert Wilson, and because of
that it is no surprise that they raised more than $1 million
from ticket sales and live and silent auctions of artwork generously
donated to the Center by artists, galleries, and private collectors.
Amongst the attribute of Wilson’s genius is the ability
to intrigue, captivate, motivate and raise millions for his projects.
LVMH/Moët Hennessy Louis Vuitton was again the principal
underwriter of the event.
From the moment you leave your car with the valet parkers on the edge of
the woods where the Center is located, you enter the Robert Wilsonian environment
of wonder, amusement, intense tomfoolery and the intrigue of the imagination.
This year's benefit featured spectacular site-specific installations and
performances by Brazilian artists-in-residence Tatiana Grinberg,
João Modé, Paula Gabriela, and Os Gemeos.
There
were more than 700 attending, and without question
the biggest agglomeration of the rich, the chic, the shameless,
the artists, art mavens, the entrepreneurs, the hedge fund operators,
the dowagers and all the entourages under the Hamptons’ sun,
including Calvin Klein, Sophie Dahl, Carlos Miele, DJ
Spooky, Kate Spade, Zac Posen, Veronica Hearst, Jamee Gregory,
Judy and Alfred Taubman, Ralph Gibson, Larry Gagosian, Princess
Elena of Spain, Princess Mimi Romanoff, Fern Mallis, Richard
Meier, Christophe de Menil, Jane Holzer, Roger Waters, Ross Bleckner,
Tim and Helen Schifter, James Lipton, Olivia Chantecaille, Catherine
Malandrino, Benjamin Millepied, Anh Duong, Arnold Scaasi, Douglas
Hannant, Peter Marino, Eric Villency, Michelle Oka-Doner, Bob
Colacello, Peter Morton, Kelly Bensimon, Alex Kramer, Cecilia
Dean and Annelise Peterson. You see
what I mean?
Simon De Pury conducted this year’s live auction that included
commissioned portraits by Annie Leibovitz, Andres Serrano,
and of course the benefit’s host, Robert Wilson. Wilson’s commissions
were among the evening’s highlights, with three bidders joining his
innovative series of “video portraits” which features artists
and actors including Brad Pitt, Mikhail Baryshnikov, Jeanne Moreau and Winona
Ryder. The series will debut in major exhibitions in Spring of
2006. LAB HD, a video art TV channel available on DISH Network, will also
broadcast Wilson’s portraits.
Proceeds raised by this benefit assure the
continuation of the Watermill International Summer Arts Program
and the completion of the construction of The Watermill Center’s
main building. The Watermill Center will dedicate its permanent
facility in July of 2006. All of which assure that you’ll
be seeing them again next year for more stunning party and
fund-raising activities. |
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Anthony
Haden-Guest and Dennis Oppenheim
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Joanne
Tucker with Arden and Denise Wohl
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Adam
Brecht and Nicolas Adeline
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Richard
and Renee Steinberg
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Caroline
Lieberman and Shelly Baum
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Somers
White and Jonathan Farkas
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Mark
and Cassandra Seidenfeld
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Maynard
Monroe
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Paul
and Alice Judelson
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Jamie
de Roy and Steven Ernst
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Kyle
DeWoody and Beth Rudin DeWoody
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Dolly
Lenz and Harriet Weintraub
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Bonnie
and Charles Evans
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Chip
Brady and Allison Weiss
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Bob
Colacello and Adam Brecht
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Nicole
Miller and Robert Wilson
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Frederick
Anderson and Douglas Hannant
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Lisa
and Samantha Perry with Anne Weiss
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Adam
Brecht with Hilary and Wilbur Ross
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Zoe
Lukov, Matt Davis, and Carlos Soto
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Lucia
Hwong Gordon, Andrew Toper, and Adrianna Kaegi
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Beth
DeWoody, Frederick Anderson, Frances Schultz
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Fern
Mallis, Calvin Klein, Claudia Cohen, and Jacqueline Davis
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Adam
Brecht, Arnold Scaasi, and Jonathan Farkas
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Jay
Snyder, Patty Raynes, and Jeffrey Leeds
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Kevin
McGovern, Cathy Jones, and David Erlich
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Katharina
Otto Bernstein and Stephen Kessler
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Howard
and Lynette Gittis
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Carlos
Miele and Fern Mallis
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Kay
Meehan with Peter and Jamee Gregory
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Roland
Nivelais and Antonio Santiago
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Lys
Marigold, Skye Marigold, and Dianne Benson
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Lydia
and Rudy Touzet
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Randall
Beale and Carl Lana
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Nina
Garcia with Shoshanna and Josh Gruss
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Fabiola
Beracasa and Jenny Mayer
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Euan
and Olivia Chantecaille
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Nina
Garcia and Susan Shin
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| Photographs
by Rob Rich |
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Drinks
upon arrival
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James
and Kedakai Lipton
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Arden
Wohl and Stella Schnabel
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Fabiola
Beracasa and Veronica Hearst
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Kelly
Bensimon, Debi Wisch, and Marcia Mishaan
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Carol
McFadden
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Jamee
Gregory
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Josh
and Shoshanna Gruss
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Lisa
Perry and Samantha Perry
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Amalia
Dayan and Tim Schifter
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Alex
Kramer and Adam Lindemann
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Mia
Enell and Simon dePury
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Fresh
fruit
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Helen
Lee Schifter and Peter Morton
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Nicole
Miller and Rob Weisenthal
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Jeanne
Greenberg Rohatyn
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Simon
de Pury and Stephan Lang
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Louise
Blouin MacBain
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