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Act
I of Rigoletto at the Metropolitan Opera House
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This
is our first edition of what will be a weekly page devoted
to Philanthropy in New York. An important part of New
York Social Diary’s charter is to help promote
the many wonderful organizations that provide a multitude
of assistance, information, ideas, cultural and aesthetic
contributions, and most importantly hope and inspiration
to all kinds of people not only here in the city but
all over the nation and the world.
In terms of sheer volume and fund-raising activity, New York
is the center of Philanthropy in the United States. Its existence
and influence extend well beyond the definition of the word.
For in New York, probably more than in any other city in the
world, philanthropy also drives an actual industry with its events
and galas (a multi-billion dollar a year business, aside from
funds raised), and serves as a center for much of the most important
cultural and social activity in the city, the country and the
world.
New York Social Diary regularly covers the kick off parties
and benefit galas that showcase the seductive and glamorous aspect
of philanthropic organizations in both our edit and our Party
Pictures. This new page will give us the opportunity to shed
more light on the individual organizations, their goals and objectives
and the individuals who dedicate much of their time and money
and even their lives, many of whom are the “unsung heroes” to
these worthy causes.
Each week we will highlight a philanthropy that has an upcoming
event on our NYSD calendar. We are familiar with many of these
organizations and activities but there are many more which are
relatively new and/or unknown to us. We are open to ideas and
welcome the participation of all charitable ventures. You can
contact us at philanthropy@newyorksocialdiary.com
Next week we will introduce a regular column by Toni
Goodale on the nuts and bolts and strategies
of fund raising. Mrs. Goodale is president of Goodale Associates,
a fund-raising consulting
firm that specializes in capital and annual campaigns and corporate
solicitations.
Our objective is to create a page that will become a resource
for the world of philanthropy, that will provide ideas and examples
for those who are already extremely generous with their time
and resources, and to provide insight and interest for those
who want to participate but have not yet found a cause that speaks
to them, to their community and beyond.
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Luciano
Pavarotti
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THE METROPOLITAN OPERA GUILD
Every
year in early Spring, the Metropolitan Opera Guild throws
a luncheon in the Grand Ballroom of the Waldorf. I’m not
much of an opera-goer, although I love music, and my operatic
knowledge is pathetic. So the first time I attended one of these
luncheons, I was surprised by the enormous attendance. Last year’s
luncheon was a salute to Luciano Pavarotti (called “Grazie,
Luciano”) and they sold out the entire room including the
first and second balconies. It was their biggest luncheon to
date, and we heard the name Luciano uttered and repeated over
and over again, and always with tenderness and profound affection
from the dais.
The
audience, 1,200 people – all ages; well-dressed, business
people, social people, visitors from all over – all there
for one reason: they love opera. For a lot of people opera is
life itself. There is an intimate relationship between these
people and the singers who are really their messengers. These
messengers are accepted according to the qualities of delivery,
which are soulful and heartfelt. Luciano Pavarotti, for example,
thrills.
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The
Grand Ballroom of the Waldorf filled to the brim with
opera lovers
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Despite
the size of the event and the time of day in this city of very
busy people, it is somehow a very intimate and even emotional
hour and a half. There is of course the presence of a number
of great operatic voices, many of whom offer testimonials; as
well as film clips and at least one performance. At the Pavarotti
tribute there was a concert by Juan Diego Florez, the Peruvian
tenor who at thirty-one is the emerging successor to the great
one, and has his nod.
At this particular luncheon there was a stellar roster of opera
artists including: Licia Albanese, Lucine Amara, Charles
Anthony, Martina Arroyo, Grace Bumbry, Clarice Carson, Nedda
Casei, Lili
Chookasian, Mary Costa, Gilda Cruz Romo, Phyllis Curtin, Mary
Curtis-Verna, Loretta di Franco, Mignon Dunn, Rosalind Elias,
Frank Guarrera, John Macurdy, Robert Merrill, Anna Moffo, Roberta
Peters, Nell Rankin, Regina Resnik, Elinor Ross, Rena Scotto,
Rita Shane, Theodor Uppman, Shirley Verrett, Sandra Warfield
and Leontyne Price.
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Win
Rutherfurd, Leontyne Price, and Oscar de la Renta
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The
MOG luncheon as its known was started in the late 1930s by
a very civic minded (and rich) woman named
Eleanor Robson Belmont. Actually, Mrs. Belmont
was an actress who married a very rich man and used her husband’s
wealth to improve the quality of life for New Yorkers. The Guild
was
created as another means for opera devotees to raise money to
support the Met. This event is part of the Guild’s work
in building membership – there are 45,000 Guild members
across the country – to keep the Met alive and thriving
and building a future audience. The tickets run $350 and $200
and the money raised funds education programs involving mainly
young people and children, taking it into the school system of
the city. The Metropolitan Opera Guild brings greatness, joy
and yes, nobility of spirit into the classrooms of young New
Yorkers at exactly when it is most needed.
Tuesday,
April 19, 2005
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Monserrat
Caballe
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• The
legendary Montserrat Caballé will be honored at
The Metropolitan Opera Guild’s 70th annual membership
luncheon entitled “Brava, Caballé,” The
soprano Deborah Voigt will offer a musical
tribute, and two of Caballé’s most important
colleagues, Marilyn Horne and Sherrill
Milnes, will offer spoken tributes. A large
contingent of opera greats will be present including Licia
Albanese, Lucine Amara, Rockwell Blake, Nico Castel,
Lili Chookasian, Loretta di Franco, Mignon Dunn, Rosalind
Elias, Simon Estes, Marcello Giordano, Soile Isokoski,
Evelyn Lear, Frank Lopardo, John Macurdy, Anna Moffo,
Kurt Moll, René Pape, Roberta Peters, Paul Plishka,
Eve Queler, Regina Resnik, Julius Rudel, Risë Stevens,
Thomas Stewart, Gregory Turay and Shirley
Verrett.
Three of Caballé’s most important leading men, José Carreras,
Plácido Domingo and Luciano Pavarotti, are serving as honorary
chairmen of the event. Blake Cabot, Maisie Houghton and Elizabeth
W. Smith are chairmen. Ticket sales benefit the Guild’s
education programs. The Luncheon is once again sponsored by The
Bank of New York. At 12:15 PM in the Grand Ballroom of the Waldorf=Astoria,
301 Park Avenue, New York. Individual tickets are priced at $225 and $400,
and tables are available a $3,750. For more information, please call 212-769-7009. |
To
learn more about the Metropolitan Opera Guild and/or if you'd
like to get involved, please visit www.metoperafamily.org/guild/ |
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Metropolitan
Opera Guild's 69th annual membership luncheon saluting
Luciano Pavarotti, “Grazie, Luciano.” From
l. to r.: Shirley Verrett; Rïse Stevens and friend;
Beverly Sills.
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68th
annual membership luncheon, “Celebrate Corelli.” From
l. to r.: Robert Merrill and Anna Moffo; Alfred Hubay
and Gilda Cruz Romo; Regina Resnik and Malcom Graff.
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Mrs.
Corelli (middle) and Licia Albanese with her daughter-in-law
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Ellen
and James Marcus with Cecile Zilkha
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Bruce
Crawford and Beverly Sills
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Schuyler
Chapin, Katherine O'Neil Bidwell, and James Kinnear
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